Toronto’s own Mavis hits hard with their new single, “Holy Shit, I’m Sorry” – a track that’s as layered in emotion as it is in musical texture. Known for their punk/indie/alternative mix, Mavis delivers a gritty yet refined sound that’s reminiscent of bands like Social Distortion and The Hold Steady, blending grit and melody seamlessly. This song feels like a mix of apology and confrontation, wrapped in a whirlwind of riffs and unfiltered lyrics.
Recorded with producer Steve Rizun (who’s worked with The Flatliners and Pkew Pkew Pkew), the track captures a kind of reckless honesty, both in sound and theme. Vocalist Patrick Gilson brings out a weary yet defiant tone, as he leads us through lyrics that seem to confront past mistakes, missed connections, and the messy realities of life and self-reflection. The chorus,
“Do your worst to me, I’m still sorry,”
hits hard, echoing regret and defiance in equal measure.
There’s also a unique collaborative energy on this track. The recording features Devon Golding on bass and backup vocals, with Mathieu Perrier on drums and backup vocals. These parts are now held down by Mondo Marino on bass and Connor Davies on drums for live performances. The layered vocals – from Devon, Mathieu, Mike Batruch (who also contributes on guitar), and Patrick – add a richness that elevates the song beyond typical punk fare, making it feel like an anthem for anyone struggling to make peace with the past.
Lyrically, “Holy Shit, I’m Sorry” explores themes of frustration and nostalgia, from the lines “Things you don’t want to hurt you, always do,” to the haunting refrain of “Lucy, it’s a losing game.” It’s about the tug-of-war between chasing dreams and confronting the parts of life that refuse to cooperate.
In short, “Holy Shit, I’m Sorry” is a modern punk confession with a depth that lingers, showcasing Mavis’s knack for raw storytelling paired with tight, compelling production. This one’s a must-listen if you’re in the mood for something heartfelt, intense, and, yes, unapologetically honest.
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